The Long Thread Podcast

When Jen Simonic and Masey Kaplan’s friend lost her mother, she had the challenge of going through her mother’s things while grieving her loss. Among her posessions was something almost every crafter has at least one of: a work in progress. Jen and Masey had each finished projects for bereaved family members before, but neither of them could take on this one, a pair of crocheted blankets for two very tall sons.

If the two of them were happy to finish a loved one’s unfinished craft project, they thought, other fiber artists would be willin...

As a college student and weaver, Amy Oxford fell in love with the punch-needle method of rug hooking almost by accident, a surprising benefit from a babysitting gig. She followed her interest from doing piece work on existing designs to creating large commissioned rugs in her own business. In 1995, she started the Oxford Company to sell supplies and education for punch needle crafters worldwide.

The basic techniques of punch needle are straightforward enough to teach in a few minutes, but the opportunities for creativity in line, texture, and color have kept Amy enthralled for 40 years. After completing...

At an unexpected juncture in her life, artist Jordana Munk Martin turned to the legacy of her grandmother’s trove of textile books. Edith Wyle founded the Craft and Folk Art Museum in Los Angeles in 1973, curating unconventional exhibits and instilling a love of art in her family. Her granddaughter found inspiration and comfort in the books, then opened the library for other artists to explore.

That original collection is now the core of Tatter, a nonprofit organization named for soft, worn, well-used textiles. It includes the iconic Tatter Blue Library, an array of classes, a journal, an...

Fiber artist Mary Anne Wise first went to Guatemala hoping to collect local textiles and inspire her own practice. Just one visit wasn’t enough, and she visited several more times, eventually offering a class in rug hooking to local women artisans. Although the women didn’t have a rug-hooking tradition, they did have abundant material: tons of tee shirts from “donations” that are often shipped to the area, discarded, and burned. After the success of that first class, the idea of creating a cottage industry that would benefit women throughout Guatemala took hold. Called Multicolores, the project is now a no...

Sahara Briscoe has a challenge for you: Do more with yarn. Knit your spinning, spin your knitting, rug hook with yarn, paint on your swatches, embroider with yarn, and question your assumptions about what your stash is for.

Working from a compact Bronx studio, Sahara can’t be easily classified under any label ending in -er except New Yorker. She spins, weaves on all kinds of looms, dyes, knits by hand and machine, crochets, hooks rugs, embroiders, designs custom fabrics for a range of clients, teaches, and writes, switching happily between them all and combining them as he...

In the history of wool, Spain means Merino, the legendary finewool sheep so prized that their export fell under royal control. From their Spanish origins, Merino genetics formed the basis of wool breeds around the world. The foundations of most finewools, especially in Australia and the United States, count Merino as a major contributor. Apart from Merino, the Spanish sheep carried by colonizers to the Americas transformed those societies—consider the Spanish Churro in the vital Navajo-Churro breed.

Over the last century, the wool industry in Spain has weakened, with sheep increasingly bred for meat and cheese. Th...

This is Anne’s Book Club, a spotlight episode of the Long Thread Podcast where we share conversations about exciting new craft titles. This episode features three new books from Storey Publishing: The Stitched Landscape by Anna Hultin, The Handsewn Wardrobe by Louisa Owen Sonstroem, and Knitting Cowlettes by Safiyyah Talley. You’ll hear a conversation with each of the authors, followed by an excerpt of some of my favorite passages. I was excited to choose each of the titles to feature, and I hope you enjoy the conversations and the books as much as I have!

The...

Duration: 00:53:32

Sarah Pedlow was enjoying an artist’s residency in Budapest when a museum visit changed the course of her artwork and her career. In the Ethnographic Museum, displays of traditional clothing and dowry goods from Hungarian villages showed an extraordinary variety of skills. Many of the intricately embroidered pieces spoke to an earlier time—although some had been created not that long ago.

One type of embroidery, írásos, particularly captured Sarah’s imagination. Using a straightforward open chain stitch in bold, graphic lines, the style was distinctively Hungarian, with Turkish-influenced motifs reflecting the region’s history. Although s...

Most of us crafters know instinctively that working with yarn, fiber, and cloth makes life better. Believing that handwork is good for our well-being has sparked memes about knitting as “the new yoga” and sold tee shirts that read, “I knit so I don’t stab people.” But feeling good while practicing fiber art is only one of the ways that working with thread adds meaning to life.

As a “passionate knitter and yarn stasher, a comparably dispassionate sewist, a novice embroiderer, and a clumsy crocheter,” Nicole Nehrig has experienced this for herself. As a clinical psychologist, she used the t...

Anne’s Book Club is a new series of interviews with the authors of new fiber art books that I think Long Thread Podcast listeners will love. This episode features new books by Deb Essen, a frequent contributor to Handwoven and Little Looms.

Deb Essen may weave plenty of blocks and squares, but you definitely can’t put her in a box. Not many weavers would release a book about turning pin-loom squares into adorable stuffed animals just a few months before a book about a drafting method for multishaft weaving, but Deb’s curiosity about all things...

Some spinners and weavers picture the Schacht Spindle Company’s factory as a large-scale operation churning out equipment by the hundreds. After all, Schacht’s products are easily recognized in stores, studios, and guilds around the world. Others see the handmade touches—such as the ladybug on every Ladybug spinning wheel—and imagine Barry Schacht making every piece by himself.

Although Schacht is “a tiny company in a tiny industry,” as Barry says, it has been decades since he built all the equipment himself. About four dozen employees manufacture looms, wheels, and other tools at the factory in Boulder...

Clara Parkes became many knitters’ guiding light and best friend when she launched Knitter's Review in 2000. One of the early standouts in the early online knitting landscape, the site developed a devoted following for its in-depth, objective yarn reviews and lively forums. Several years after the site's inception, she began writing books, starting with The Knitter's Book of Yarn, which was followed by The Knitter's Book of Wool and The Knitter's Book of Socks. As she explored the yarn industry, Clara carefully maintained a journalist's independence, taking readers along with her as she learned how the yarns we love co...

Hazel Tindall can’t remember a time before she knew how to knit.

Hazel learned to knit when knitting for sale was the only way that women earned money, when a job outside the home in town was too far to travel. Although her mother found knitting a chore, Hazel liked it, not only knitting sweater yokes for sale but exploring yarns and designs from outside her local sphere. When knitting was work, knitters put down their needles on Sundays, but in time knitting became a pleasure rather than a job for Hazel. She started knitting every da...

Tamara White always has one eye on the skies. Whether she’s getting her sheep ready for shearing, welcoming visitors to classes and events on the farm, or watching over the yarn in kettles of natural dye, there isn’t a moment when the weather isn’t on her mind. Although rain and heat make hard work of tending a flock of 100+ sheep plus calves, chickens, and other livestock, Tammy sees her work as a collaboration with Mother Nature.

Most yarn production farms consist of hundreds of animals of a single breed, enough to produce consistent batches of sin...

With Madelyn van der Hoogt’s extensive knowledge of loom-controlled structures and techniques, you might be surprised to learn that the celebrated weaving teacher spent her first years as a handweaver working on a backstrap loom. On a sabbatical in Latin America from her teaching career in Oakland, Madelyn traveled from village to village looking for the style of weaving she wanted to do, then sought out a local teacher. But when she moved back to the United States and began a new life as a farmer, her backstrap weaving style hit a snag: sitting on the ground to we...

When you first learned to knit, you might have wondered why certain stitches made fabric that curled, or why right-leaning and left-leaning decreases didn’t quite match, or why charts didn’t really show what the knitted fabric would look like. Knitting patterns might have seemed completely unworkable. If we stick with the craft, most knitters eventually take these oddities in stride and work around them. We learning to fudge what we can’t fix, and we figure that’s the way knitting goes. We read our stitches, let the habits of our skilled hands take over, and integrate knitting...

At a time when many fiber arts stores are closing, Sara C. Bixler is bucking the trend. With degrees in both fine art and education, she had developed a studio practice as well as a teaching repertoire at the Pennsylvania weaving school where her father, Tom Knisely, had taught for decades. When that store closed, she decided to take the risk of opening a brand-new fiber arts center known as Red Stone Glen. It was an audacious project: the school and accompanying store occupy a rural campus in southeastern Pennsylvania, with space for several classes and even on-site lodging...

You know about North Pole and the South Pole, where polar bears and penguins live. Have you heard of a third pole? West and south of the Tibetan Plateau, a mountainous area holds more glaciers than any place in the world outside the Arctic and Antarctic poles. This region has a special significance for fiber artists: it is the home and habitat of the goats that produce much of the world’s cashmere. And as at the North and South Poles, climate change is threatening the animals and people who call this region home.

To bring attention to...

When Tom Knisely decided to buy his first item in an antique shop, he had two strokes of luck: the spinning wheel that he chose included all the parts needed to make yarn, and he lived not far from the landmark weaving store The Mannings. There, he learned to spin and eventually to weave. Enamored with the crafts, he got a job at the store there as a teenager and eventually built a career there over 37 years.

That love of antiques led Tom to accumulate a collection of historic coverlets and rag rugs, along with knowledge about...

A lifelong lover of fiber arts, Susan Strawn’s career in textiles began in an unexpected corner: with training as a biomedical illustrator. She found cloth far more exciting than biology, so she turned her eye for detail to illustrating PieceWork magazine. She added photostyling to her duties, bringing textile stories to life and demonstrating the steps of various needlework techniques. After a decade on the staff of the magazine, she decided to devote herself to studying and writing about textiles, earning a PhD in Textiles and Clothing.

Although her initial interest was in writing, she discovered th...

Knitting and wool are so essential in the Faroe Islands that in the early 1800s, exports of sweaters and socks made up about half of the economy. Today, the nation of about 55,000 people has 8+ knitwear brands, 2 active spinning mills, and 70,000 ewes. Sissal Kristiansen, the owner of knitwear company Shisa Brand, started an initiative called The Wool Islands to celebrate the heritage and potential of Faroese fiber. “We owe it to our past and our future to utilise the natural resources that we have, and on the Faroe Islands, that is wool,” she says.

The first project of the...

When young Shay Pendray told the head of her school that she wanted to learn to sew, he had a prerequisite: He would give her a lamb, and she would learn to process the wool, spin it into yarn, and weave it into cloth, and then she could learn to sew. It was an extraordinary home ec class, but the administrator in question was Henry Ford. Shay was one of the students in Greenfield Village, a living museum on the grounds of what is now the Henry Ford Museum. Shay has combined curiosity, hard work, good fortune, and a...

Some shepherds research extensively and choose the breed that best matches their needs. Others come across an animal or a whole flock and everything falls into place—it becomes clear that these are the sheep they’ve been waiting for. Robin Lynde had a farm with a few sheep in the mix, but when a local shepherd decided to sell her Jacob sheep, Robin jumped at the opportunity to own a flock of black-and-white-spotted, two-to-four-horned heritage-breed sheep.

Although the flock lives full-time between Sacramento and the Bay Area, Meridian Jacobs get around—digitally, at least. When Robin starte...

Listening to her college-aged daughter making calls for AmeriCorps in 2020, Laura Nelkin was surprised at how many people in her community faced food insecurity and hunger every day. A problem that had seemed far away suddenly felt much closer to home, and Laura wanted to find a way to help. She had a feeling that other knitters would want to help, too, so she dreamed up a group effort: the Knit for Food Knit-a-Thon. In its first 4 years, the effort has raised over $1.25 million for Feeding America, Meals on Wheels, No Kid Hungry, and World Central Kitchen. 2025 is poised...

One day, while waiting outside her daughter’s weaving class, Gabi van Tassell became fascinated with an old-fashioned quilt. The Grandmother’s Flower Garden pattern combines groups of paper-pieced hexagons, and Gabi found herself wondering how she could weave the shapes. An active and curious crafter, she had explored a variety of fiber crafts, though she wasn’t yet a weaver.

She experimented with different approaches to the pin loom, eventually realizing that she needed a combination of plain and bias weaving in the same piece. Once she developed the method, she faced the challenge of making the lo...

In the early 2000’s, one episode of the Late Show with David Letterman boasted that a crocheter would make Dave a sweater over the course of the show. It sounded impossible, but their special guest backstage was Lily M. Chin, who held the title of World’s Fastest Crocheter. When the closing music played, Lily presented Letterman with his sweater—it was a bit short, but Dave pulled it over his head.

By that point, Lily was no stranger to either deadlines or high-profile clients, having created runway pieces for Diane von Furstenburg, Ralph Lauren, Isaac Mizrahi, and ot...

A lifelong crafter, Jennifer B. Williams had tried a wide variety of fiber techniques, but she felt something fall into place the first time she sat down to a lesson at an inkle loom. “It was the strangest thing to me. When I started inkle weaving, I started thinking through inkle,” she says. Delicate bracelets, origami fish, flip-flop straps? Absolutely! Joining bands edge to edge, folding strips into new shapes, and exploring drape and density, the formal confines of narrow warp-faced bands just spark new ideas for her to explore.

Although the term “inkle” arose in the sixteent...

Visiting museums and archaeological sites in the American Southwest, Louie García finds inspiration to revive the fiber techniques of the past. He has participated in creating several recreations of ancient textiles, including a replica of the 800-year-old Arizona Openwork Shirt, and is a member of the Cedar Mesa Perishables Project, which studies artifacts including baskets, plaited and twined yucca sandals, and most importantly cotton textile fragments that date back as much as two thousand years.

But where others might see ruins, Louie sees connections to the Pueblo heritage that is part of his daily life. When r...

Like many spinners, Charan Sachar discovered fiber crafts without realizing that they would transform his life. While studying for a masters degree in computer science, he began working with clay, making functional and decorative pieces. He loved the cool, slick texture of clay and the pleasure of working with his hands, eventually making pottery his full-time career. During down times in the pottery studio and at home, he began knitting. The soft texture and warmth of knitting proved a perfect complement to his work in clay.

Knitting not only changed Charan’s daily life, it also made it...

When colonists first left Spain for what became Mexico and the American Southwest in 1598, they came with the continent’s first wool sheep. These weren’t the famed finewool Spanish Merinos—export of those was punishable by death—but rougher multipurpose Churra sheep. With simple tools, men sheared the sheep, women spindle-spun wool yarn, and men wove plain cloth called sabanilla.

In their few spare moments, women embroidered on scraps of fabric with naturally dyed yarn and a simple couching stitch. Embroidery made the fabric valuable for trade and beautiful for religious observances. Along with tinwork, wood carving...

As a knitter in a new place, Irene Waggener looks for knitting as she explores. Not all of the countries where she finds herself have robust yarn-shop networks and textile tourism, so sometimes she needs to get creative in her search.

During a three-year stint in Morocco, her first glimpse of knitting was in the back of a local museum, where a striking pair of black-and-white knitted pants hung among other traditional craft objects. Although the staff at the museum couldn’t tell her much about them, she was encouraged to look for knitters in the neighboring va...

In 1974, two young industrial designers in the Netherlands started a company making spinning wheels. Beginning in a family member’s chicken coop, they built a modern wheel featuring an upright castle-style format, a then-uncommon bobbin-lead drive system, and a drive wheel without spokes. Jan Louët Feisser and Clemens Claessen named their company Louët and began building the now-iconic S10 spinning wheel.

The company soon moved out of the chicken coop and brought on other employees. By 1982, they began making looms, from expandable table looms to countermarche and eventually dobby looms. The founders, who loved the desi...

The Nettle Dress is available to stream online from November 15–December 2, 2024.

Most of us avoid nettles, thinking of them as weeds whose little stinging hairs can inject a painful toxin into the unexpecting walker. But strolling through the woods near his home in England, Allan Brown was captivated by the tall native plants. Knowing that textile cultures across the world have produced cloth from nettles, he wanted to learn more about cloth made with nettle fiber.

Except for a few exceptions—giant Himalayan nettles and ramie, which is a non-stinging plant in the nettle family—the er...

Melvenea Hodges nurtures a small crop of cotton in her back yard in South Bend, Indiana. Besides beautiful foliage and some of her favorite fiber to spin, she tends her plants to celebrate what she can create with her own hands—not just beautiful textiles but a connection to her heritage and a source of peace.

As a primary school teacher, her working days are hectic, but she and a friend have a pact to save some creativity for themselves. Although her spinning and weaving projects are ambitious, she doesn't confuse creativity with productivity. The magic happens, sh...

Exploring the textile traditions of her Scandinavian ancestors, supporting Indigenous Andean weavers in preserving their traditions, or producing material for contemporary fiber artists, Anita finds connection between makers.

From hygge to the trendy Scandi Style, the design influence of Scandiavian countries has never been more popular. But beneath the graphic lines and bright colors, what is the fiber art and culture of Nordic countries?

Anita Osterhaug was raised in a family whose pride in their Norwegian heritage ran deeper than cuisine and home décor. As a weaver, she loved exploring her fiber-art roots and t...

When you picture lace, what comes to mind: an old-fashioned once-white piece of Victorian embellishment? The elegant, possibly itchy decoration on a wedding gown? If you are a needleworker, you might picture an array of bobbins leashed to a cluster of pins and arrayed on a pillow, or a tatting shuttle, or a steel crochet hook. All of these images would be correct—but capture the tiniest slice of the world’s laces.

As a PhD student, Elena Kanagy-Loux considers lace through the lenses of history, culture, and gender. How have textile artisans around the world developed lace...

Nanne Kennedy has her feet firmly planted in the soil of midcoast Maine. Growing up on a farm near the ocean, she could smell the salt air and small local factories, and she started saving in her “future farm fund” when she was 12. Eminently practical, she looked for ways that her farm could make her a living. “I'm a New England Yankee, and self reliance is really important,” she says. “So it’s always been a critical theme to me that, yes, you do the right thing, but it sure as heck has to make economic sense in a way that is...

When Knit Picks was founded by husband and wife team Kelly and Bob Petkun in 2002, the company began with a mail-order catalog and soon added online purchasing. Buying yarn online seemed both strange and inevitable: knitters began choosing yarns that they could only see onscreen, in the early days of functional search engines, at a time when many people had internet only at the office if at all. But for crafters who lacked easy access to a local yarn store or even a big-box craft store, being able to order craft supplies online broadened the horizons of knitting.

Laverne Waddington discovered weaving by accident—bike accident, to be precise. Recuperating from a mountain biking crash in Utah, she discovered a book on Navajo weaving and was immediately intrigued. A local exhibit of Diné textiles enthralled her, and she set about learning to weave in the Navajo style. Returning to Patagonia, where she had been living, she built a simple loom and explored weaving on her own until it became clear that she would need to move north to satify her hunger for weaving knowledge, settling in Bolivia.

Over the following decades, Laverne traveled in South and...

Embrace the potential of your phone’s camera, choose indirect lighting (not a flash) to show texture, and get your knits off the ground—these are just a few pieces of Gale Zucker’s advice for how to take knitting photos you love. Whether she’s shooting in a studio or a barnyard, Gale uses her camera to bring her subjects to life.

Gale grew up in a family where everyone learned to knit, and the craft has been a constant since childhood. With a love for the storytelling potential of photography, she studied photojournalism, becoming a stringer...

Have you ever opened a book or seen a photograph and thought to yourself, “I have to learn to do that”?

When Emily Lymm first fell in love with knitting, she wondered casually if she could turn her passion for fiber arts into a profession. Not seeing many successful pathways to a career in knitting, she continued as a graphic designer. She loved the visual problem-solving of her job, but as time went by, she wished that she could do more to live her values of conservation and environmental responsibility.

Then one day, she picked up a...

Tommye McClure Scanlin had a choice. To make the images she wanted to create with weaving, she could either pursue complex forms of weaving that rely on dobby, jacquard, and draw-loom technology—or she could go the other way and place every color and pick by hand using tapestry techniques and a very simple loom. Preferring a drawing pencil to a calculator, she made the choice that now seems inevitable and dove headlong into tapestry.

She speaks of herself modestly as a “picture-maker,” but Tommye’s imagery reveals the richness of her surroundings. She has lived most of her l...

Indigo is a unique dyestuff, no less so for being found in so many different plants. Coaxing the blue hue out of green leaves and onto yarn or cloth requires a combination of chemistry and skill that has arisen across the globe.

Rowland and Chinami Ricketts each found their own way to indigo in Tokushima, Japan: Rowland was looking for a sustainable artistic medium after learning that the darkroom chemicals in his photography were making their way into local streams where he was teaching English. Chinami was seeking a colorful lifelong practice working with her hands, and...

Andrew Wells is the third generation of the iconic American yarn manufacturer Brown Sheep Company. Living near the family business outside Scotts Bluff, Nebraska, he grew up giving tours and sweeping the floors when his parents, Peggy and Robert Wells, ran the business. His grandfather, Harlan Brown, had been a sheep and lamb farmer before deciding to begin processing wool yarns, a business he eventually passed along to his daughter and son-in-law. (The company is named not for the color of the sheep but for the Brown family.)

In 1980, the following ad appeared in Spin Off magazine: <...

Working together in a Philadelphia yarn store, Kate Gagnon Osborn and Courtney Kelley learned how to help customers choose the right yarn for a project, welcome in timid new knitters, and create samples to help move yarn out the door. They learned what didn’t work (donut-shaped balls of yarn that hopped off the shelves and tangled, patterns that used a few yards of a 100-gram skein) and what did (unfussy classic yarns, wearable sweaters, and lots of fun-to-knit hats). They founded Kelbourne Woolens in 2008 to offer yarns and patterns to local yarn shops like the one where they me...

If you knit, spin, sew, weave, or follow any crafty pursuit, you will not be surprised that many of our most common metaphors come from textiles. They are interwoven in our vocabulary, and whether you like to spin a yarn from words or fibers, you will recognize many of them.

But then there are the words whose textile roots are less obvious: Rocket. Bombastic. And we’ve forgotten the regional roots of some kinds of fabric, where the skill and creativity refined in a particular place produced an exceptional kind of cloth. You might know what fiber co...

When Jen Simonic and Masey Kaplan’s friend lost her mother, she had the challenge of going through her mother’s things while grieving her loss. Among her posessions was something almost every crafter has at least one of: a work in progress. Jen and Masey had each finished projects for bereaved family members before, but neither of them could take on this one, a pair of crocheted blankets for two very tall sons.

If the two of them were happy to finish a loved one’s unfinished craft project, they thought, other fiber artists would be willin...

A career professional at Levi Strauss & Company, Eileen Lee learned about dyeing, weaving, and sewing on an international scale: giant factories full of loud looms weaving 2/2 twill, pattern pieces cut out of four-foot-high stacks of cloth, and no possibility of adding a tuck here or a dart there without retooling. During her years in the industry, Eileen saw major shifts in the market for the company's signature product, as their target customer began to look elsewhere and their manufacturing shifted overseas.

A century ago, Eileen's grandmother saw a tradition on the cusp of changing, even disappearing. Hawaiian...

Lilly Marsh creates blankets, shawls, and other cloth, almost exclusively from local wool. Working closely with farmers and the nearby Battenkill Fiber Mill, she gets to know not only her neighbors but the fibers they grow: the surprisingly lovely wool from East Friesian sheep raised to produce milk, the springy Dorset crosses that are popular in the region, and other fibers of the Hudson Valley Textile Network. Formerly a shepherd herself, Lilly knows how important and unique this wool is to the families who raise it.

She is a full-time professional custom weaver. “I weave primarily with al...

The call of complexity draws some weavers to more shafts, more structures, more hand-manipulated techniques. For Annie MacHale, refining the techniques and celebrating the artistry of very simple bands has been a lifelong fascination. Starting when she first picked up a shuttle and inkle loom in her teens, Annie has worked in wool, cotton, and hemp, creating practical cloth that’s just a few inches wide.

Any bandweaver has heard the question more times than they can count: “But what can you do with it?” Annie replies, “The uses are limited only by your imagination.” Her work has found...

“Rule number one: Never drink the dye bath.”

Indigo and cochineal may be the most widely recognized natural dyes for many fiber artists, and there’s little temptation of sampling an indigo vat or pot of ground insects. But a simmering kettle of dye mushrooms or lichens? That might smell delicious, but if you’re in a class with Alissa Allen, it’s not soup you’re making—it’s an amazing range of colors. Depending on the species you find and the methods of extraction, you may get not only earthy browns and yellows but vivid purple, magenta...

In a period when agriculture moved toward chemicals, genetic engineering, and monoculture, Sally Fox decided to explore what could happen if she collaborated with nature instead of fighting it. With an academic background in entomology, she studied ways to minimize the amount of pesticides needed to grow crops, and the more she saw the effects of those chemicals, the more she wanted to steer clear. Looking to avoid synthetic dyes, she was intrigued when she came across a few seeds of naturally colored brown cotton, which is naturally pest-resistant.

According to conventional wisdom, brown cotton couldn’t be...

When Susan Bateman first opened Yarn Barn of Kansas in 1971, a woman starting a small business couldn’t get a credit card in her own name. Weavers like her had a hard time finding yarns, tools, and other supplies, some of which were only available from overseas, and she thought there must be an opportunity to bring fiber artists more of what they needed.

Susan and her husband, Jim, have spent decades building the kind of store she wanted to see when she was learning to weave and hoping to grow her fiber skills: one with a wi...

There may be no other type of textile that is more art and craft at the same time than tapestry weaving. Tapestry allows the weaver to create images with simple tools, but the skills and materials in tapestry are generally hard-wearing. You might find a tapestry on the floor as a rug as often as on a wall as a piece of art.

Rebecca Mezoff became a tapestry weaver after a career in occupational therapy, finding that it suited her artistically and let her use other skills she loved, such as teaching, dyeing, and spinning. She weaves...

For Hannah Thiessen Howard, slow knitting isn’t about the speed of making stitches or finishing projects. Swift and leisurely knitters alike can embrace the purpose and experience of knitting and how it connects crafter to community. Selecting materials, choosing projects, and approaching your work with an open mind all contribute to a meaningful knitting life.

Knitting can offer refuge, inspiration, and self-expression. It can also be a step, large or small, toward bringing about the kind of world that you’d like to see. From her first yarn-industry internship at a large international company, Hannah has grav...

Although she grew up in the freezing winters of New York, Keisha Cameron and her husband decided to move their young family to a peri-urban spot outside Atlanta, Georgia, to set down roots and rebuild their connection to the land. They began with raising what their family needed for food and other daily necessities, but over the past decade, High Hog Farm has developed stocks of rare-breed sheep, angora rabbits, and chickens. In their gardens, the family cultivate produce as well as medicinal and dye plants. As returning-generation farmers, they not only love what they do, they also feel...

Justin Squizzero loves exploring the frontiers of technology, seeing how he can tune a piece of equipment to produce a complex textile. The technology that fascinates him reached its peak before the 20th century. Weaving on an old loom doesn’t mean trying to turn back time, though—it means choosing the most refined technology to create the handwoven fabrics that he envisions. If a modern tool is better than the historic one (like the laser cutter that produced the small metal rings called mails, which were needed to to convert his loom from weaving coverlets to damask), that woul...

Kaffe Fassett doesn’t play favorites in his work—he doesn’t have a favorite medium, and he definitely doesn’t have a favorite color. What he has is a powerful delight in combining the simple elements of color, line, and image, and a passion for helping other people share in that joy.

For someone whose career is inextricably linked to stitching, his needlework techniques are surprisingly simple. “I’m never interested in technical acrobatics,” he says. “I think that color is what is fabulous, and you know, a beautiful image that has beautiful colors doesn’t need to go any fur...

Between the sheep in the field and the lovely yarn in your hands lies the complex network of the wool industry. Fiber must be scoured, spun, and maybe dyed, and it all starts with shearing.

Attending a Fibershed symposium in 2012, Stephany Wilkes was surprised to learn that one of the barriers to local fiber production was a lack of trained shearers. A knitter and software developer, she had no hands-on livestock experience when she signed up for a shearing class through an extension center and found herself up to her elbows in wool. Despite the grueling labor...

What do you get when a crafter who loves colorful hand-dyed yarns (and hates stalking shop updates) crosses paths with a fresh, new yarn producer? Like many of her knitter friends in 2013, Lisa Chamoff was enchanted by the artful and expressive work of the independent dyers whose skeins were cropping up around the yarn world. Shoppers found new favorites by word of mouth, hearing about a new colorway or restock here and there. At the same time, talented dyers with fledgling businesses relied on that word of mouth to sell a few skeins at a time. Lisa saw an...

[Sponsored Content] If you’ve been weaving, knitting, or playing with fiber for long—or if you’ve passed some fiber animals in a field—you probably think you know what an alpaca looks like: a fluffy creature with a long neck and spade-shaped ears. But you may not know that there’s a different kind of alpaca, one whose coat grows in long, silky ringlets instead of an allover fluffy halo. Suri alpacas make up a small fraction of the alpacas, both worldwide and in the United States, but their special fiber is worth checking out.

The number...

The scale of Sarah Neubert’s work varies from miniature to monumental, from small pieces such as earrings to room-sized installations. She dreams of creating entire woven environments that are sensory and tactile, like cocoons or sanctuaries of fiber. Working on a large scale allows her to explore new techniques and push the boundaries of her art. However, she also appreciates the sense of accomplishment that comes from creating small, wearable pieces.

Her classes at the upcoming Weave Together with Handwoven event in February 2024 will let students work on a small tapestry loom to explore some of he...

The picture of a flock of primitive-breed sheep, the last of their kind, living on an island off the northeast coast of Scotland, has a certain romance to it. Plenty of knitters, spinners, fiber artists, and citizens of the modern world might idly dream of living on such an island and tending such a flock. With no background as a farmer and only a few years as a shepherd, Jane Cooper decided to bring that dream to life.

Enchanted by the fiber of the Boreray sheep, and with her life transformed by a class on knitting with...

Felicia Lo spent most of her college years wearing a lot of black.

The bright, happy color combinations that she loved as a child—lime green and hot pink, pink and yellow—didn’t fit other people’s idea of what colors went together, so she avoided wearing colors altogether. It took years to begin introducing color into her wardrobe again.

As handdyeing began its groundswell in the early 2000s, Felicia began experimenting with dyeing fiber and then yarn. As it turned out, fiber artists across the world thought that her color sense was not only acc...

In 2009, Mary Jeanne Packer founded Battenkill Fibers Carding & Spinning Mill to work with small farms, yarn companies, and even individual handspinners who wanted great yarn. The partnerships built around the mill are helping revitalize the regional wool economy and sustain shepherds and shops alike. We are far from the days when 13 water-powered mills lined the Battenkill River in Greenwich, New York, all processing American wool, but through collaborations across the textile industry, the prospects for high-quality yarn look bright.

For a farm with a few dozen sheep, a local yarn store wanting to make a special line...

Many weavers find their inspiration by asking, “What if...” Since she first sat down at a loom, Deb Essen has pushed the limits of her weaving by asking, “Why can’t I?”

Deb has followed that question since childhood, right through her career as a weaving teacher and author. Since she first neglected her table-clearing duties to watch a weaving demonstration at the age of 9, the craft of weaving has held her fascinated. And despite the disciplines of teaching, designing, and writing, that childlike spirit of exploration still gets free rein in her weaving studio. “I play with everyth...

Most of us avoid nettles, thinking of them as weeds whose little stinging hairs can inject a painful toxin into the unexpecting walker. But strolling through the woods near his home in England, Allan Brown was captivated by the tall native plants. Knowing that textile cultures across the world have produced cloth from nettles, he wanted to learn more about cloth made with nettle fiber.

Except for a few exceptions—giant Himalayan nettles and ramie, which is a non-stinging plant in the nettle family—the era of nettle textiles is over. But thousands of years ago, nettle clot...

Kristin Nicholas lives in an idyllic historic New England home at the end of a dirt road, the interior handpainted in whimsical, vivid motifs. In neighboring fields, her family's hundreds of sheep graze in historic pastures. “From the outside looking in, it looks like a very romantic life,” she says. “But it is a ton of work. Most sane people wouldn’t do it, as far as I’m concerned.”

Kristin has never had a hard time reconciling her creative and practical sides, and in fiber art, she found a home for both. When she met her husband, one...

When she married her husband, "polyester kid" Anita Luvera Mayer received an extraordinary wedding gift from her mother-in-law: a loom and weaving lessons. A weaving store owner, Marcelle Mayer gave the same gift to each of her daughters-in-law. The others didn't take to it, but for Anita it was the beginning of a whole new life. Although she preferred making simple cloth to complex patterns, weaving opened the doors to meeting other fiber artists, teaching across North America, and learning to make her own clothes, beginning with a "pukey green dress" that she wore for years and kept as...

Susan Druding was a graduate student at the University of California-Berkeley when she first learned to spin and weave. In the Bay Area of the 1960s, fiber interest and social tensions both ran high.

Without a business plan but with a lease on a small storefront, Susan and a business partner opened Straw Into Gold, a store devoted mostly to spinning and dyeing. Spinning legend Bette Hochberg, author of Handspinner's Handbook and Spin Span Spun, was a regular, and legendary spinning wheel maker Alden Amos set up shop in the basement. Award-winning spinner Celia Quinn ran the...

After you finish weaving fabric that you love and are proud of, cutting it up can be an unappealing thought. What if it falls apart? What if you make the wrong cut? What if the finished piece doesn't turn out like you picture it? For Daryl Lancaster, the challenges of transforming a handwoven fabric into a wearable garment are the real pleasure—and if problem-solving is the goal, then what looks like a problem is really a creative prompt. As she tells her students, "This is fiber. There's always a way to fix it. There's always a way to go...

"All This by Hand"—that's the promise of PieceWork magazine, which was first published in 1993 to honor the handwork created through the ages, mostly by women, mostly with little fanfare. "Handwork reflects peoples history, daily lives, and cultures. In this issue's stories, handwork means physical survival, personal hope, and cultural identity," said Veronica Patterson in the first issue.

To celebrate where the magazine came from and what sustains us, we interviewed two delightful women: Veronica Patterson, who edited PieceWork from 1993 until 1997, and Pat Olski, who has held the post since 2022. In addition to her tenure as the ma...

Don't try to put Sarah Swett in a box—if you do, she might just weave a bag on it.

Growing up on the East Coast, Sarah found herself more enchanted with knitting sweaters from farm yarn than the traditional college track. She spent her young adulthood as a ranch hand and cook in Montana and Idaho, where she brought her yarn in by pack mule. She fell in love with the Palouse region of western Idaho for its rolling hills and agricultural bounty, settled there, and began to explore the possibilities of home. She is as in...

Clara Parkes became many knitters' guiding light and best friend when she launched Knitter's Review in 2000. One of the early standouts in the early online knitting landscape, the site developed a devoted following for its in-depth, objective yarn reviews and lively forums. Several years after the site's inception, she began writing books, starting with The Knitter's Book of Yarn, which was followed by The Knitter's Book of Wool and The Knitter's Book of Socks. As she explored the yarn industry, Clara carefully maintained a journalist's independence, taking readers along with her as she learned how the yarns we love...

After decades as an art therapist in suburban Sacramento, Lisa Mitchell and her husband, Greg Hudson, were ready for a radical life change. In her rewarding but exhausting career, Lisa spent her days harnessing the power of art and handwork to heal others, but she had little time to do it herself. Their concrete-jungle surroundings felt stifling. It was time for a radical, meaningful life change, one that would bring them more in touch with real materials, real experiences, real presence. They found a farm property in Whidbey Island, Washington, a fiber nexus for weavers, spinners, small mills, and...

Wanting to help the women in her native country called Rangina Hamidi back to Afghanistan. Through the khamak embroidery they have practiced for generations, Kandahar Treasure supports women making a living with their needles.

Rangina Hamidi's parents and sisters left Afghanistan whe she was a child in the early 1980s, during the war with the Soviet Union, eventually settling in Virginia. She had recently finished her bachelor's degree in religious studies and women's studies when the attacks of September 11, 2001, suddenly turned the world's attention to the country where she was born. As images of covered Afghan women...

Venturing to a frozen lake in mid-winter, Josefin Waltin does something remarkable: She breaks the ice with a hatchet and climbs into the frigid water. And unlike an ice-bucket-challenge or polar bear dip, she does this every morning. With her head, feet, and hands covered in handspun wool knitwear, she looks pretty happy doing it, too. Although not everyone will take a dip in subzero temperatures, anyone who does should definitely wear wool for the adventure.

Josefin is a spinner, knitter, and fiber artist who has made the decision to primarily use heritage breeds of Swedish sheep...

The resist-dye technique known as ikat involves wrapping individual threads in careful patterns, dyeing them, and then using the dyed threads as warp, weft, or both. With care and what Mary Zicafoose describes as a lot of fussing, the woven fabric displays a pre-planned design—geometric or figurative, crisp or feathery, multicolored or two-tone. This technique is time-consuming and labor-intensive, but the results are beautiful in ways unique to each of the textile traditions that practice it.

Mary Zicafoose first encountered ikat as a child, when her favorite aunt brought her a souvenir scrap of the fabric an...

The treasure in a handmade life isn’t just mastering skills and making goods, Melanie Falick says—it’s the power in creation, connection, and expression along the way.

When Melanie Falick started to knit as a young adult, she fell in love with everything about it: the creative potential of yarn and color, the meditative process, the useful finished product, the community of fellow makers, and the stories it can tell us about lives past and present.

She has spent the years since then sharing her passion for knitting, and handwork generally, through roles as an...

Admiring the simplicity of traditional bandweaving, Kerstin Neumüller took her love of weaving a step further and learned to carve small, sweet rigid heddles. She was startled to find a big demand for her handmade, handpainted heddles, which sell out as soon as she posts a new batch.

With formal training as an apprentice in menswear tailoring, Kerstin's love for textiles is a lifelong passion. As owner of a denim store that offered repair services, her creative approach to mending clothing provided a way to blend her craft with her business. Her first two books, Indigo — Cul...

Life lessons are where you find them. Peggy Orenstein found them in her quest to build a sweater from scratch.

When I say that Peggy created a sweater from scratch, I mean wrestling a sheep to the ground and relieving it of its wool. Carding said wool by hand while Zooming with her father, who sometimes knew who she was. Spinning that lovely fluff, with all the typical push-pull-stop-go of a beginning spinner. Dyeing the yarn with colors from her backyard and beyond. After that, knitting the sweater was a breeze, sort of. (And despite the title...

In 2010, Lynda Teller Pete was living in Denver with her husband Belvin, working full-time in a demanding government job in the Department of Labor, living the life on a modern urban Indian, doing a little weaving in her spare time. Then she pivoted. Quit the job and sat down at her loom and made the commitment to return to her roots.

With her older sister, Barbara Teller Ornelas, Lynda began teaching weaving classes and producing award-winning tapestries. In 2017, the two of them wrote Spider Woman’s Children: Navajo Weavers Today. They followed this with How to Weave a...

In Meg Swansen’s world, knitting is so much more than knit and purl. It links music, mathematics, deep history, and world-wide communities. It is a platform for creativity, invention, and technical mastery.

Music, you say? That’s how Meg proceeds merrily along a pattern round of several hundred stitches. She sings the repeat. Or at least chants it. And those long, long pattern rounds comprise her favorite kind of knitting: color-stranded Fair Isle designs. The interplay of color and motif and deep tradition are of endless interest to her.

Mathematics are integral to the craf...

When you think about circular weaving, you may flashback to weaving on a paper plate or cardboard using simple materials and methods. But artist and weaver Emily Nicolaides has taken circular weaving by storm, opening up the technique to include a new world of richness, beauty, and complexity.

In 2016, Emily began exploring shaped tapestry weaving and the possibilities and limitations of weaving in the round. She started with a simple arch and then developed more complex shapes, such as ovals, eventually finding herself back to weaving circles. In the years that followed, she tested many weaving methods...

More than spinning, weaving, stitching, or any of the other crafts she's written and published about, Linda Ligon is fascinated by the people who make traditional textiles. From Peruvian spinners to Miao embroiderers to Navajo weavers, the people who make cloth the way their ancestors did have a special interest for her.

Many of the people who know Linda Ligon's work don't know her by name (which is just fine with her). Linda founded Interweave in 1975, and it went on to become a craft juggernaut. After selling the company, she founded Thrums Books, which published highly illustrated...

Most stores don't invite passersby to walk up to their shop, open a door, and help themselves—no obligation, no purchase required. But not long after opening new new yarn store in the Mt. Airy neighborhood of Philadelphia, Liz Sytsma hung a box on the side of the store labeled "Little Free Fiber Library." Inspired by the give a book, take a book model of the Little Free Library, Wild Hand wanted to create a place where anyone who wanted or needed yarn could obtain it freely. Instead of viewing the fiber library as competing with the shop's sales, th...

Marcia Young started her craft publishing journey by accident, with a newsletter and website for her local quilt guild. With small children at home, she fit in writing around the edges, until almost overnight she saw an opportunity for a new magazine devoted to fiber arts. Fiber Art Now and the Fiber Art Network began at Marcia’s kitchen table, and she published it quarterly for nearly a decade.

Eventually Marcia was ready for a new challenge, and she realized that Fiber Art Now was ready for a new direction, too. The publication joined with Quiltfolk, a qu...

More than 100 years have passed since Shaniko, Oregon, went from "Wool Capital of the World" to forgotten spur of the Union Pacific Railway. A dozen miles from Shaniko, R.R. Hinton was the area's largest producer of sheep and wool at his Imperial Stock Ranch, raising Columbia sheep for meat and wool.

When Dan and Jeanne Carver bought the Imperial Stock Ranch in the 1980's, they established a conservation plan—not something many working farms did at the time, but something that Dan saw as vitally important. To preserve the water and soil of their thousands of ac...

Catharine Ellis loved planning weaving projects, but once the warp was on the loom and the design decisions made, much of the discovery was over: with decades of experience, she knew pretty well what the finished project would be. She wasn't bored, exactly, but ready for a new direction in her weaving.

Taking a class with shibori master Yoshiko Wada, she was intrigued by the way carefully placed stitches could be drawn up into pleats that became a dye resist. The traditional method does require a lot of stitching, though. Was there a way to combine the...

The charkha is so important in the traditions of India that Mohandas K. Gandhi proposed placing it at the center of the national flag. The wheel can signify economic independence, mindful practice, and national identity, yet the number of practicing handspinners and even people who know how to spin has dwindled.

Born into a family of traditional potters, Avani Varia's work has always involved the preservation of traditional crafts in India. Yet she carried around a box charkha for years before learning to spin on it. She was surprised to learn that her mother had learned charkha...

Planning to spend a few months traveling around South Asia, Leslie Rinchen-Wongmo unexpectedly found herself in search of a teacher and workshop where she could learn the process of making stitched thangka. On a tour of Tibetan businesses as part of her work for the Tibetan Central Authority (also called the Tibetan Government-in-exile), she saw artisans using silk fabric, horsehair, and silk thread to stich images of divine or inspiring figures. In Tibetan tradition, fabric artworks often depict the embodiment of Buddhist ideals in a form linked with meditation and reverence.

Painted silk thangka are easier to...

When you think of weaving tools, you probably picture shuttles, sleying hooks, a raddle, and a warping board. Just as important for many weavers is the software that displays and manipulates weaving drafts. Even if you don't use a computer-controlled loom, weaving software helps you visualize your project, check it for errors, and envision variations, among other functions. It seems like a far cry from handwritten drafts or Industrial Revolution-era books of weaving instructions.

When Kris Bruland became interested in weaving in 2003, he came across some of those old drafts and manually entered them into weaving software...

No matter where in the country, stepping into the Sincere Sheep booth at a fiber festival is a breath of fresh air. With naturally dyed yarns, wool that is processed fleece by fleece, and a selection of favorite Northern California sourced products, the space is full of rich color. No watery pastels or muted hues here—Brooke Sinnes's colorways are vivid, bright, and contemporary.

After 20 years as a natural dyer in the Bay Area, Brooke draws inspiration from her environment and her fiber community network. From sourcing local wool to developing a new yarn line, the work of...

If you want to learn about silk—raising it, processing it, or using it—sooner or later you will find yourself on Michael Cook's site devoted to silk and sericulture, wormspit.com. Raising silkworms and weaving with silk bring together two of Michael Cook's fascinations: textiles and bugs. He has tried, mastered, and teaches about every stage in the life cycle and production of silkmoths, silkworms, and silk fabric.

The tongue-in-cheek title of his website, Wormspit, refers to the process that silkmoth caterpillars use to build their cocoons. The gland that produces of fibroin and sericin isn't actu...

Navajo-Churro sheep have a centuries-old history and an even greater meaning to the Diné, but the commercial market set a low price for their wool. A group of shepherds have come together to find strength—and value—in solidarity.

"Take care of the sheep, and the sheep will take care of you." Nikyle Begay remembers their grandmother saying those words as they watched her flock. Nikyle grew up to raise Navajo-Churro sheep of their own, loving the lustrous fleece and beautiful sheep along with the connection to their ancestors.

Despite the breed's cultural and spiritual value...

What would you do if your sheep's wool lost half its value practically overnight? That's what happened to shepherds in 1990, when the end of a longstanding subsidy upended small and large wool flocks around the United States. In the decades that followed, American farmers and textiles rode a roller coaster, searching for value in a once essential fiber.

But things look very different on the small scale, where wool is measured in dozens of sheep and pounds per week rather than thousands of heads and millions of pounds per year. In their quest to start a meaningful...

Sheri Berger vowed that cross stitch would be the hobby that she kept just for herself.

After turning her scrapbooking hobby into a business, then launching the online yarn store The Loopy Ewe in 2006, she was just looking for a way to relax in the evenings, renew her creativity, and enjoy the sheer pleasure of passing needle and thread through cloth. The Colorado Cross Stitcher was her craft escape.

But the more she became absorbed in cross stitch, the more Sheri wanted to participate in the community. She posted a video to YouTube, and before...

In the early 1970s, a lively community and spirit of fearless exploration sprang up in Northern California that sent ripples around the country and shaped the world as we know it today. The fiber world, of course.

As a child, Stephenie remembers seeing clouds and imagining them as wispy shawls overhead. She uses her fine artist's training and eye when stirring a dyepot, designing clothing, and developing her textile plans, but she is drawn to well made tools and straightforward cloth. When she chose her first sewing machine at age 8, she preferred the straightforward practicality of her...

Kate Larson's first childhood memory is of meeting a lamb on her family's farm in rural Indiana. That connection with sheep and the land forms the anchor of her life's work, even as it draws her to stories and communities a world away.

After a careful search, Kate chose her "forever sheep," a flock of Border Leicesters who not only provide her with wool she adores but revitalize the soil of her homestead. Through every thoughtful decision—grazing, breeding, shearing, and the thousand other choices that make up a shepherd's work—she is using her sheep to crea...

Since Amy Norris learned to weave in the late 1980s, the digital age has swept through weaving in two ways: by linking the global community of weavers to each other, and by using computers to manipulate and execute weaving drafts. Weaving is ancient, but many weavers have been early adopters and digital enthusiasts. As founder and list administrator for WeaveTech, Amy has helped weavers everywhere share information (and play nice) with fellow curious weavers.

The internet has connected all kinds of groups, but the digital revolution offers breakthroughs in what weavers can do. As Amy points out...